dc.creatorAbritta, Alejandro
dc.date.accessioned2020-06-26T14:35:22Z
dc.date.accessioned2022-10-15T14:09:49Z
dc.date.available2020-06-26T14:35:22Z
dc.date.available2022-10-15T14:09:49Z
dc.date.created2020-06-26T14:35:22Z
dc.date.issued2015-11
dc.identifierAbritta, Alejandro; On the Homeric Hymns and Prayer; Sociedade Brasileira de Estudos Clássicos; Classica; 28; 1; 11-2015; 7-23
dc.identifier0103-4316
dc.identifierhttp://hdl.handle.net/11336/108291
dc.identifierCONICET Digital
dc.identifierCONICET
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4395174
dc.description.abstractThe purpose of this paper is to study the possible relation between prayer and the long Homeric Hymns. The analysis centers on the beginnings and endings of these compositions, in which two of the traditional parts of prayer are found. The paper opens with a brief account of the problem, its goals and methodology. Then, after a general introduction on hymnody and prayer, the author analyzes two hymns, the Homeric Hymn to Delian Apollo and the Homeric Hymn to Hermes, in order to show that in these compositions there is a development of the beginning, the invocatio, and of the ending, the request. The goal is to prove that there is an attentive expansion of the basic elements of these sections, and therefore that these poems were actual cultic compositions to achieve the good will (χάρις) of the gods.
dc.languageeng
dc.publisherSociedade Brasileira de Estudos Clássicos
dc.relationinfo:eu-repo/semantics/altIdentifier/url/https://revista.classica.org.br/classica/article/view/331
dc.rightshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectHYMNODY
dc.subjectPRAYER
dc.subjectHOMERIC HYMNS
dc.subjectAPOLLO
dc.titleOn the Homeric Hymns and Prayer
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:ar-repo/semantics/artículo
dc.typeinfo:eu-repo/semantics/publishedVersion


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