dc.creatorVallejos, Juan Ignacio
dc.date.accessioned2021-02-10T02:41:38Z
dc.date.accessioned2022-10-15T13:56:18Z
dc.date.available2021-02-10T02:41:38Z
dc.date.available2022-10-15T13:56:18Z
dc.date.created2021-02-10T02:41:38Z
dc.date.issued2019-04-23
dc.identifierVallejos, Juan Ignacio; Subverting precariousness: Work, history, and aesthetics in contemporary dance in buenos aires; Cambridge University Press; Dance Research Journal; 51; 1; 23-4-2019; 32-46
dc.identifier0149-7677
dc.identifierhttp://hdl.handle.net/11336/125252
dc.identifier1940-509X
dc.identifierCONICET Digital
dc.identifierCONICET
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4393931
dc.description.abstractThis article analyzes three artistic acts of the subversion of precariousness in the contemporary dance community in Buenos Aires. It explores the participation of dancers in political groups that demand improvement of their working conditions. It examines how Marina Sarmiento's investigation of dance history stages a precarious body as an archive that deals with aesthetic colonialism. And lastly, it discusses the emergence of an aesthetics of precariousness in Fabian Gandini's work, which brings artistic ethics to the fore. The argument proposed in this article asserts that working conditions, history, and aesthetics represent three dimensions of contemporary dance practice that operate simultaneously and determine the precariousness in the Argentinian dance community.
dc.languageeng
dc.publisherCambridge University Press
dc.relationinfo:eu-repo/semantics/altIdentifier/doi/http://dx.doi.org/10.1017/S0149767719000032
dc.relationinfo:eu-repo/semantics/altIdentifier/url/https://www.cambridge.org/core/journals/dance-research-journal/article/abs/subverting-precariousness-work-history-and-aesthetics-in-contemporary-dance-in-buenos-aires/D5CF03560C5B3CFB72CFC6A33672331F
dc.rightshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.rightsinfo:eu-repo/semantics/restrictedAccess
dc.subjectAESTHETIC COLONIALISM
dc.subjectARGENTINIAN CONTEMPORARY DANCE
dc.subjectART AND FETISH
dc.subjectBODY AS ARCHIVE
dc.subjectDANCE AND POLITICS
dc.subjectDANCE AND WORK
dc.subjectDANCE HISTORY
dc.subjectDANCE STUDIES
dc.subjectPERFORMANCE AND POLITICS
dc.titleSubverting precariousness: Work, history, and aesthetics in contemporary dance in buenos aires
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:ar-repo/semantics/artículo
dc.typeinfo:eu-repo/semantics/publishedVersion


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