dc.creatorHeram, Yamila
dc.date.accessioned2021-11-03T19:08:53Z
dc.date.accessioned2022-10-15T09:57:10Z
dc.date.available2021-11-03T19:08:53Z
dc.date.available2022-10-15T09:57:10Z
dc.date.created2021-11-03T19:08:53Z
dc.date.issued2020-01-23
dc.identifierHeram, Yamila; Too good to be true: How Argentinian audiences read Danish drama series; Aarhus University; Nordics.info; 2020; 23-1-2020; 1-6
dc.identifierhttp://hdl.handle.net/11336/145889
dc.identifier2597-016X
dc.identifierCONICET Digital
dc.identifierCONICET
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4372988
dc.description.abstractIn Argentina, Danish television drama series such as Borgen, The Killing and The Bridge attract a small and dedicated niche audience that is actively on the look out for new content. A 2017 study of 83 Argentinian viewers found that these “intelligent” series featured interesting characters who were well-acted and were about topics that they could relate to. Authenticity was also important, but this was interestingly undercut by Scandinavian society being, for example, too politically correct and lacking in corruption for an Argentinian audience to consider ‘real’ per se.
dc.languageeng
dc.publisherAarhus University
dc.relationinfo:eu-repo/semantics/altIdentifier/url/https://nordics.info/show/artikel/too-good-to-be-true-how-argentinian-audiences-read-danish-drama-series/
dc.rightshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectTV SERIE
dc.subjectDANISH TELEVISION
dc.subjectAUDIENCE
dc.subjectCONSUMPTION
dc.titleToo good to be true: How Argentinian audiences read Danish drama series
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:ar-repo/semantics/artículo
dc.typeinfo:eu-repo/semantics/publishedVersion


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