dc.creatorTola, Eleonora
dc.date.accessioned2021-02-12T17:47:08Z
dc.date.accessioned2022-10-15T03:53:23Z
dc.date.available2021-02-12T17:47:08Z
dc.date.available2022-10-15T03:53:23Z
dc.date.created2021-02-12T17:47:08Z
dc.date.issued2019-03
dc.identifierTola, Eleonora; Ille ego sum lignum qui non admittar in ullum (Ov. Pont. I, 2, 33) ou l’écriture poétique à l’épreuve de l’exil; Université Paul Valéry Montpellier III; Vita Latina; 2019; 199; 3-2019; 74-91
dc.identifier1783-1830
dc.identifierhttp://hdl.handle.net/11336/125612
dc.identifierCONICET Digital
dc.identifierCONICET
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4342365
dc.description.abstractIn his exilic poems Ovid shapes a crisis of his poetic identity by reifying his literary practice with some autobiographical concerns. The poet of metamorphosis metrically associated the narration of his exile to his epistolary and erotic corpus. Tristia and Ex Ponto’sintratextual connections can be read as an invitation to reaffirm the literary value of Ovid’s writing. From a stylistic approach, I show the crucial role of Ex Ponto in the study of Ovid’s dynamic of self-reception. This last collection simultaneously achieves the poet’s exilic works and his production as a whole.
dc.languagefra
dc.publisherUniversité Paul Valéry Montpellier III
dc.relationinfo:eu-repo/semantics/altIdentifier/url/http://vitalatina.fr/2019/02/199/
dc.rightshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.rightsinfo:eu-repo/semantics/restrictedAccess
dc.subjectOVIDE
dc.subjectEXIL
dc.subjectPONTIQUES
dc.titleIlle ego sum lignum qui non admittar in ullum (Ov. Pont. I, 2, 33) ou l’écriture poétique à l’épreuve de l’exil
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:ar-repo/semantics/artículo
dc.typeinfo:eu-repo/semantics/publishedVersion


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