masterThesis
Arquivos censurados de Nelson Rodrigues: uma leitura crítica nas redes da criação
Fecha
2016-04-22Registro en:
LIMA, Erickaline Bezerra de. Arquivos censurados de Nelson Rodrigues: uma leitura crítica nas redes da criação. 2016. 175f. Dissertação (Mestrado em Artes Cênicas) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2016.
Autor
Lima, Erickaline Bezerra de
Resumen
Nelson Rodrigues (1912-1980) author who introduced the scenic modernity in Brazil,
also became known for portraying in his works, an obscure world taken by obsessive
and disturbed characters, such characteristics were decisive for the censorship of
Rio de Janeiro and Sao Paulo accompany him throughout his artistic career. In this
thesis, we bring to light cases of censorship São Paulo, of the 40 to 60, referring to
the three theatrical works: Lady of the Drowned, Forgive me for me and betray
Golden Mouth; which were provided by Miroel Silveira Archive - AMS School of
Communication and Arts ECA-University of São Paulo USP. Through the process
called Critical approach (SALLES, 2008a), as an extension of Genetic Critic,
problematize some factors that have gone through the creative process of theatrical
works of the playwright. For this explanation, we were guided by the concept of
Creation Network, which was proposed the construction of a Rodriguean creation,
which in our reading includes: the philosophical term deformation (DIDI-HUBERMAN,
2010); self-criticism; and censorship. We propose a reading of 17 theatrical
playwright parts and, in particular files on censorship, because they indicate a
specific time of the construction work to contain documents that were kept out of
reach of the author. In comparison process documents versus work published
several modifications were mapped. Built, so this complex network bounded by our
critical reading, however, able to bring us closer to the playwright that marked an era
and continues the contemporary to unsettle us with their unpleasant Theatre.