doctoralThesis
Do romanesco à cena: transbordamentos infinitos em Querô, uma reportagem maldita de Plínio Marcos
Fecha
2018-04-09Registro en:
CÂNDIDO, ISAMABÉLI BARBOSA. Do romanesco à cena: transbordamentos infinitos em Querô, uma reportagem maldita de Plínio Marcos. 2018. 188f. Tese (Doutorado em Estudos da Linguagem) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2018.
Autor
Cândido, Isamabéli Barbosa
Resumen
This work seeks to make a theoretical reflection on aspects related to the new
dramaturgic forms, in development in modern and contemporary Brazilian theater, it is
a study, with several readings of Querô, a cursed report, by Plínio Marcos (1992, 2003,
2009). A comparsion is made, from the adaptation of the novel by Plínio Marcos
himself to the dramaturgical text and of the appropriation, in the terms of Beigui (2006),
that culminates in the spectacle, elaborated by the theatrical group of São Paulo, the
Galpão Folias d’Arte, with The objective of critically discuss the readings and
construction of these new productions. In this sense, it was observed that the
appropriative process results in a dramaturgical form that is deeply linked to the
proposals of Jean-Pierre Sarrazac (2000, 2011, 2012), since it points to the "rhapsodic",
especially since it is perceived in the various readings of Querô a freer form, in which
the boundaries between mimesis and diegesis are tenuous, as a concept that extends the
paradigm shift, the "drama-of-life" (Sarrazac's own term). In this way, we also discuss
about romanticise, since the concept of "rhapsody", by Sarrazac (2002, 2012), is related
to Bakhtin's (1998) discussion of "romantisizing". So that this thesis, included in the
scope of the comparative studies due to present an intermidial character, proposes to
discuss through the analysis / comparison of Querô, the tragic elements in the works,
considering that the presence of a “tragic quotidian" as well as, according to Sarrazac
(2013), the presence of the common man, the impersonnage that will sustain the tragic.