| dc.creator | Costa, Maria Helena Braga e Vaz da | |
| dc.date.accessioned | 2015-10-27T00:31:04Z | |
| dc.date.accessioned | 2022-10-06T14:05:31Z | |
| dc.date.available | 2015-10-27T00:31:04Z | |
| dc.date.available | 2022-10-06T14:05:31Z | |
| dc.date.created | 2015-10-27T00:31:04Z | |
| dc.date.issued | 2009 | |
| dc.identifier | COSTA, Maria Helena Braga e Vaz da. Dogville: um estudo do espaço fílmico/cênico pós-moderno. Repertório: Teatro & Dança, Salvador, v. 12, n. 13, p. 98-102, 2009. ISSN:2175-8131. Disponível em: <http://www.portalseer.ufba.br/index.php/revteatro/article/view/4018> Acesso em: 26/05/2015 | |
| dc.identifier | 2175-8131 | |
| dc.identifier | https://repositorio.ufrn.br/jspui/handle/123456789/19332 | |
| dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3974838 | |
| dc.description.abstract | Given the new aesthetic trends, that are taking
power and causing changes in the formal artistic performances
in recent years, often called post-modern times, this work
intends to discuss the issues concerning the construction and
representation of space in the film Dogville (Lars Von Trier,
2003). The hypothesis is that in Dogville the versatility of its film
performance space – not only according to the principles, codes
and conventions of film making, but also to them of theater
practicing – makes it “hybrid” and build a proposal of “filmic
dramatization” based on a new aesthetic that re-configures the
notion of verisimilitude so dear to photographic reproduction. | |
| dc.language | por | |
| dc.publisher | Universidade Federal da Bahia | |
| dc.publisher | Brasil | |
| dc.publisher | UFBA | |
| dc.rights | Acesso Aberto | |
| dc.subject | Híbrido | |
| dc.subject | Espaço cênico | |
| dc.subject | Verossimilhança | |
| dc.title | Dogville: um estudo do espaço fílmico/cênico pós-moderno | |
| dc.type | article | |
