masterThesis
Rosana cadê as minhas rosas? Da tradição oral à escrita de contos da Praia de Muriú
Fecha
2017-03-29Registro en:
LOPES, Luciana de França. Rosana cadê as minhas rosas? Da tradição oral à escrita de contos da Praia de Muriú. 2017. 117f. Dissertação (Mestrado Profissional em Letras - Profletras/NAT) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2017.
Autor
Lopes, Luciana de França
Resumen
This is an dissertation ethnografic intervention project (ANDRÉ, 2005) of a qualitative nature, aiming at giving new meaning to writting techniques through a literacy project (KLEIMAN, 2000). This project is seen as a didactic model (TINOCO, 2008) developed in a learning community (AFONSO, 2001) composed by 8th grade students from Escola Estadual Augusto Xavier de Góis (State handled Public school Augusto Xavier de Gois) and the teacher-researcher, as well as people outside the school community. The general focus of this dissertation was to value the immaterial heritage of Praia de Muriu by putting oral tradition stories into writing. From that main objective came three specific goals: (i) to map the stories told in oral tradition by the people of this community (ii) to verify if this writing process can aid in having local stories acknowledged as cultural heritage (iii) (Iii) re-signify the teaching of writing and increase the skills of students. To provide a basis for this paper, the theories of dialogical language conception were used (BAKHTIN, [1979] 1997); in processes of retextualization (MARCUSCHI, 2010); in literacy studies (KLEIMAN, 2000, 2005, 2012; HAMILTON, 2000; TINOCO, 2008; STREET, 2014; OLIVEIRA; TINOCO and SANTOS, 2014). Data generation included many literacy events (HAMILTON, 2000), such as: two speeches and ten field classes, which have been registered in both video and photos. From those events on, several sessions of collaborative writing and rewriting were developed. In order to analyse the data, support was found in the Linguistics Text (MARCUSCHI, 2008; KOCH, 2010; KOCH; TRAVAGLIA, 2012; ANTUNES, 2016) and in processes of retextualization (OLIVEIRA, 2005; MARCUSCHI, 2010). The results of this project were three parts: this dissertation, that represents a theoretical methodological basis for the intervention undertook, a printed book, written by the collective involved in the process, and a video book. Both the written book and the video book entail stories from the oral tradition of Muriú beach community, located in Ceará-Mirim, district of the Brazilian Northeast, state of Rio Grande do Norte. The analysis of data points towards giving new meaning to composition work in the school context as well as adding value to the local immaterial heritage.