dc.contributorhttp://lattes.cnpq.br/2769701660627469
dc.contributorhttp://lattes.cnpq.br/2557880242678680
dc.contributorScarpa, Daniela Lopes
dc.contributorhttp://lattes.cnpq.br/9083847675351817
dc.contributorSilva, Ana Paula Bispo da
dc.contributorhttp://lattes.cnpq.br/0263132634838418
dc.contributorMoraes, Andréia Guerra de
dc.contributorhttp://lattes.cnpq.br/4240715075311404
dc.contributorAmaral, Edenia Maria Ribeiro do
dc.contributorhttp://lattes.cnpq.br/5241130686153506
dc.contributorSilva, Márcia Gorette Lima da
dc.contributorhttp://lattes.cnpq.br/6965522706601294
dc.contributorPrestes, Maria Elice Brzezinski
dc.contributorhttp://lattes.cnpq.br/7826860526594594
dc.creatorVitor, Fernanda Cavalcanti
dc.date.accessioned2022-01-21T16:10:42Z
dc.date.accessioned2022-10-06T13:34:56Z
dc.date.available2022-01-21T16:10:42Z
dc.date.available2022-10-06T13:34:56Z
dc.date.created2022-01-21T16:10:42Z
dc.date.issued2021-10-29
dc.identifierVITOR, Fernanda Cavalcanti. Ilustrações científicas e a classificação do mundo natural no século XVIII. 2021. 160f. Tese (Doutorado em Ensino de Ciências e Matemática) - Centro de Ciências Exatas e da Terra, Universidade Federal do Rio Grande do Norte, Natal, 2021.
dc.identifierhttps://repositorio.ufrn.br/handle/123456789/45705
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3970715
dc.description.abstractWe intended to carry out a historiographic study of scientific illustrations, exploring their historic and sociocultural context of production and their role in eighteenth century’s Natural History, especially in the period of the “Philosophical Journey”, headed by the Brazilian Alexandre Rodrigues Ferreira, as well as to present a description of the characteristic elements of this type of visual representation of the nature of the signaled time. We observe that there is a gap, mainly in Brazil, in this type of investigation, which considers scientific illustrations as historical sources of research and proposes an articulation between this type of visual image and science teaching, in the interface with history of science and the nature of science through “themes” and “questions”. Thus, the general aim of this study was to investigate the importance and the meaning of the use of scientific illustrations in the process of classification of the natural world in the Enlightenment period, particularly, in the context of the “Philosophical Journey” to Brazil, pointing out the contributions of the understanding of this historical process and its meanings to the teaching of natural sciences. It is, therefore, a bibliographic and qualitative work, interdisciplinary and based on the literature of contemporary historiography of science, in the field of Cultural History of Science, focusing on the scientific practices and on the visual culture of the eighteenth century. We defend that a scientific illustration is configured in a specific type of visual representation of nature, which was essential to identify distinctive structures and characteristics of the specimens and disclose the taxonomic knowledge of plants and animals in the eighteenth century, and that, from its historical and sociocultural context, we can reflect about the relevant aspects of the nature of science, such as “the role of naturalists and artists in the production of knowledge in eighteenth century”, “the relation between nature studies and society”, “the different means of production and dissemination of knowledge”, “the organization of scientific expeditions and the participation of colonies in this type of entrepreneurship”, among others.
dc.publisherUniversidade Federal do Rio Grande do Norte
dc.publisherBrasil
dc.publisherUFRN
dc.publisherPROGRAMA DE PÓS-GRADUAÇÃO EM ENSINO DE CIÊNCIAS E MATEMÁTICA
dc.rightsAcesso Aberto
dc.subjectIlustração científica
dc.subjectSistema de classificação de seres vivos
dc.subjectIluminismo
dc.subjectHistória cultural da ciência
dc.subjectNatureza da ciência
dc.titleIlustrações científicas e a classificação do mundo natural no século XVIII
dc.typedoctoralThesis


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