masterThesis
Memória imaginativa nas lembranças de Erico Veríssimo: uma leitura de Solo de Clarineta
Fecha
2020-08-28Registro en:
SILVA, Raimundo Paulino da. Memória imaginativa nas lembranças de Erico Veríssimo: uma leitura de Solo de Clarineta. 2020. 125f. Dissertação (Mestrado em Ciências Sociais) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2020.
Autor
Silva, Raimundo Paulino da
Resumen
This research aims to observe memories from the autobiography Solo de Clarineta by the
Brazillian author Erico Veríssimo (1905 - 1975), aiming to reflect upon the articulations
between memory and creative imagination. In order to back up the investigation, the
research formulated the following starting question: what is possible to say about Erico
Verissimo’s autobiographical memory having Solo de Clarineta as a guide? To talk not
only about the content of those memories, but about the way they operate. The research
is based on the principle that the work is a poetic autobiographical memorial, in a sense
that it is somewhat ficcional because it also comes from the memorialist author’s poetic
imagery. About the objectives, the general one consists of reflecting upon the memories
present in Solo de Clarineta, aiming to identify the articulations between memory and
creative imagination. As specific objectives, the research highlighted: a) identify in Solo
de Clarineta elements that are able to visualize Erico Veríssimo’s life and work, and also
able to bring some minimal historical elements of the time when he lived and wrote his
work, specially in this autobiography; b) observe Verissimo’s memories that have
references to dream content, articulating memory and creative imagination. The
theoretical/methodological references used to think about Erico Veríssimo’s memories as
a poetic autobiography was mainly backed up by studies on complexity, Gaston
Bachelard aesthetic philosophy, Jean Jacques Wunengurger’s studies of the imaginary,
James Hillman’s archetypal psychology, and by commentators and scholars of the literary
imagination, the study supervisor Ana Laudelina Ferreira Gomes, the co-supervisor
Ozaías Batista, and professor Karla C. de Souza, all of them somehow linked to
PPGCS/UFRN’s Grupo de Pesquisa Mythos-Logos, which has had the participation of
the author of the research through his master’s degree journey. In addition, to arrive at
the final finishing touches of a clarinet poetic solo, I say that it is like Solo de Clarineta
and as a solo solo that Verissimo is imagined by the images of his autobiography. In fact,
even if accompanied, each person's journey on Earth is always solo, since it is unique and
with its own tonic. In the case of Verissimo, by the title of this memoir, its singular key
is musical. This is a little of what he helps me to say through his poetics of life observed
in his autobiographical memories.