masterThesis
Damas de paus: atravessamentos afetivos sobre representatividade trans e travesti na música brasileira d'as Bahias e a Cozinha Mineira
Fecha
2019-08-20Registro en:
SILVA, André Araújo da. Damas de paus: atravessamentos afetivos sobre representatividade trans e travesti na música brasileira d'as Bahias e a Cozinha Mineira. 2019. 105f. Dissertação (Mestrado em Estudos da Mídia) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2019.
Autor
Silva, André Araújo da
Resumen
The present search seeks to discuss and understand the role of Brazilian music, from a
communicational perspective, facing the questions of trans and travesti representativeness in
society. In this sense, this work presents itself as a proposal of exploratory qualitative research
of the themes imbricated in the problematic, through a methodological path called the Affectanalytic Systematic Immersion, inspired by the concerns of Jota Mombaça (2016), aiming to
answer: How the emergence of a dissident music scene centered on LGBT representativeness,
specifically trans and transvestite representativeness, affects the demands of the movement and,
consequently, contributes to the collective social normalization of these bodies, the political
debate and the legitimacy of LGBT population rights. in Brazil? The research has as interactors
the band “As Bahias e a Cozinha Mineira”, seeking to understand how people transience their
experiences from the representativeness in dialogue with the discussions of gender and
sexuality of Jaqueline Gomes de Jesus (2012; 2015; 2018), Guacira Lopes Louro (2016) and
Amara Moira (2017), the reflections on the music market of Marcia Tosta Dias (2008) and
LGBT media representation, based on the ideas of João Silvério Trevisan (2017; 2018) and
Flávia Péret (2011). From the reflections on the ideas of Muniz Sodré (2006), Ruth Finnegan
(2008) and João Fernando de Araújo (2013), we can see the power that music has to deconstruct
the walls and barriers that effectively segregate, communicating, being medium, message and
media, carrying within them these imbrications that I call comusication. The visibility of trans
and transvestite people is not enough to get these people out of marginalization, but that it is an
important form of visibility to realize that the identities and presences of these bodies need to
be humanized and naturalized in the occupation of spaces. Representativity here is the act of
these trans bodies being present.