dc.contributorOliveira, Maria Bernadete Fernandes de
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dc.contributorAlves, Maria da Penha Casado
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dc.contributorLemos, Daniel Dantas
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dc.contributorGandour, Deny de Souza
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dc.contributorCunha, Doris Arruda Carneiro da
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dc.creatorNovaes, Tatiani Daiana de
dc.date.accessioned2018-06-15T22:48:29Z
dc.date.accessioned2022-10-06T13:03:21Z
dc.date.available2018-06-15T22:48:29Z
dc.date.available2022-10-06T13:03:21Z
dc.date.created2018-06-15T22:48:29Z
dc.date.issued2018-03-23
dc.identifierNOVAES, Tatiani Daiana de. Enunciado dos cartazes das manifestações de junho de 2013: uma forma carnavalesca de contar a história do Brasil. 2018. 193f. Tese (Doutorado em Estudos da Linguagem) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2018.
dc.identifierhttps://repositorio.ufrn.br/jspui/handle/123456789/25409
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3963199
dc.description.abstractThis work has a main question to reflect how protest posters realize dialogical relationships and, based on them, how to identify valued senses that contribute to carnavalization and comedy writings related to the public demonstration during June 2013 in Brazil? This research studies protest discourse in the posters presents in the Journeys of June 2013, based on theoretical concepts and sociological methods from Bakhtin’s Circle, in addition to contemporary reflections from enunciative discourse analyze. This research aims to achieve some objectives: a) to comprehend how occur dialogical relationship in the protest posters from June demonstration; b) to identify carnavalization and comedy signs; c) to describe protest posters enunciative processes from June 2013; d) to comprehend how to get some forms to represent discursively a political and historical phenomenon like Journeys of June 2013 by a marginal/not official discourse like protest speeches. This analyze presents two parts: the first one to discourse relationship between June 2013 demonstration and carnival worldview; the second one to analyze five speeches from data. As a result, it concludes subjective axiological position is an ordinary element from protest speech, contributing to communicative aiming to the transgressive comedy and sneering critic. Some aspects to detach from this analyze are: carnavalization and comedy are consequence from violence and dethronement; valued senses are a result from dialogical relationships based on social-historical enunciative production context; axiological relationships are not individual actions, from a unique individual, but collective ones, based on ideological dimension from some discursive groups that are connected by some values; speeches are not a sign of reflection from a traditional demonstrator: syndicalist, classical feminist, an ordinary person from black movement, aborigine, LGBT; demonstrators are temporary, linked to spectacularization and break up at the end of the party. In addition, they use colloquial language, typical to new demonstrators.
dc.publisherBrasil
dc.publisherUFRN
dc.publisherPROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM
dc.rightsAcesso Aberto
dc.subjectEnunciado de protesto
dc.subjectSentido valorado
dc.subjectCarnavalização
dc.titleEnunciado dos cartazes das manifestações de junho de 2013: uma forma carnavalesca de contar a história do Brasil
dc.typedoctoralThesis


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