masterThesis
Técnicas estendidas para saxofone em obras compostas por meio de colaboração compositor-intérprete
Fecha
2015-02-27Registro en:
MARQUES, Kleber Dessoles. Técnicas estendidas para saxofone em obras compostas por meio de colaboração compositor-intérprete. 2015. 61f. Dissertação (Mestrado em Música) - Universidade Federal do Rio Grande do Norte, Universidade Federal do Rio Grande do Norte, Natal, 2015.
Autor
Marques, Kleber Dessoles
Resumen
This dissertation deals with the use of extended techniques for the saxophone
in the piece Minus (for solo saxophone in Bb), composed through a composer-performer
collaboration between Agamenon de Morais and the saxophonist Kleber Dessoles. The
text is organized in the following manner: the first part brings the historical background
of the concert music written for the saxophone since the beginning of the 20th-century,
exploring the use of extended tehcniques and the main characters and historical facts of
this period, with data obtained through a literature review; the second part deals with the
issue of the composer-performer collaboration, since cases documented in the 18th and
19th centuries until nowadays, exploring in which different ways collaborations may
happen and the motivations behind them; the third and final part is about the specific
work, followed by a detailed description of the collaboration between the composer and
the interpreter, as well as detailed explanations about the extended techniques present in
the work (multiphonics and flatterzunge), through bibliographic and documental
research, as well as descriptions of the meetings between composer and interpreter. At
the end of the collaborative process, one may say that the final result was created from a
sum of the composer's knowledge with the interpreter's, almost as if the composition
had double authorship. The document describing this process may help composers and
interpreters in composing for the saxophone, as well as guide future collaborative
experiences.