A buchada de dramaturgia e o tutano da escritura cênica: sobre a produção de uma dramaturgia, sua observação e seus distintos engendramentos

Abstract

This research aims to reflect elements of contemporary dramaturgy, starting from a theoretical study and the production of a dramaturgical experiment. This one used different technical and sensitive references, mainly a theoretical research about the work of Jean-Pierre Sarrazac (2017), seeking the concept of life-drama, the author's perspective on contemporary drama. Then a dramaturgical experiment was produced (The Nature of the Red Onion [A natureza da cebola roxa]) as a writing exercise for a contemporary drama. Finally, the reflections of this research are presented: an analysis of the process of creating this writing; an observation of the work in its convergences and divergences with the Sarrazaquean study and other theorists; and some notes about the research construction process and its likely referrals. Finally, a formulation of possible metaphors about contemporary dramaturgy in general, bringing traditional northeastern dishes, buchada and marrow, closer to the dramatic text.