dc.contributorCavalcante, Alex Beigui de Paiva
dc.contributor
dc.contributorhttp://lattes.cnpq.br/1641131561198818
dc.contributor
dc.contributorhttp://lattes.cnpq.br/9638277622683373
dc.contributorCruz, Adriano Charles da Silva
dc.contributor
dc.contributorhttp://lattes.cnpq.br/3052471951752715
dc.contributorBezerra, Antonia Pereira
dc.contributor
dc.contributorhttp://lattes.cnpq.br/6158488812359628
dc.creatorFreitas, Camila Maria Grazielle
dc.date.accessioned2013-08-20
dc.date.accessioned2014-12-17T14:00:19Z
dc.date.accessioned2022-10-06T12:41:29Z
dc.date.available2013-08-20
dc.date.available2014-12-17T14:00:19Z
dc.date.available2022-10-06T12:41:29Z
dc.date.created2013-08-20
dc.date.created2014-12-17T14:00:19Z
dc.date.issued2013-04-30
dc.identifierFREITAS, Camila Maria Grazielle. Leitora-criadora: a experiência situada na construção dramatúrgica. 2013. 131 f. Dissertação (Mestrado em LINGUAGENS DA CENA E PEDAGOGIAS DA CENA) - Universidade Federal do Rio Grande do Norte, Natal, 2013.
dc.identifierhttps://repositorio.ufrn.br/jspui/handle/123456789/12458
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3957222
dc.description.abstractThis study has the purpose of investigating the term reader-creator , on the textual aspects of the dramatical works A Morte nos Olhos , A Memória Ferida and Na Outra Margem (2010) by Antonia Pereira Bezerra. In this sense, we propose an analysis of these works based on author‟s life experience as creative matter for a autofictional narrative, highlighting the relations between the autobiographical elements (LEJEUNE, 2008; DOSSE, 2009) and fictional elements in the construction of dramatic narratives. The theoretical analysis pervades the studies fields of Reception Aesthetics (ISER, 1996), memory (RICOUER, 2007) and narrative (RICOEUR, 2010), evidencing the relation between the author and the pursuit of her memories and life experiences, the matter to elaboration of writing. Then we intend thinking a reader-creator of herself, that at the same time she seeks in her memories the biographic aspects to her narrative, she converts this reality with the insertion of fictional elements from the imagination (SARTRE, 2008)
dc.publisherUniversidade Federal do Rio Grande do Norte
dc.publisherBR
dc.publisherUFRN
dc.publisherPrograma de Pós-Graduação em Artes Cênicas
dc.publisherLINGUAGENS DA CENA E PEDAGOGIAS DA CENA
dc.rightsAcesso Aberto
dc.subjectLeitor. Narrativa. Memória. Autoficcionalidade
dc.subjectReader. Narrative. Memory. Autofiction
dc.titleLeitora-criadora: a experiência situada na construção dramatúrgica
dc.typemasterThesis


Este ítem pertenece a la siguiente institución