dc.contributorSilva, Telma Gurgel da
dc.contributor
dc.contributorhttp://lattes.cnpq.br/5845912144093230
dc.contributor
dc.contributorhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4708644H9
dc.contributorLima, Rita de Lourdes de
dc.contributor
dc.contributorhttp://lattes.cnpq.br/4393150155693864
dc.contributorRodrigues, Marlene Teixeira
dc.contributor
dc.contributorhttp://lattes.cnpq.br/3972643622694043
dc.contributorMoreira, Maria Regina de ávila
dc.contributor
dc.contributorhttp://lattes.cnpq.br/6102418371111697
dc.creatorFeitosa, Sônia de Melo
dc.date.accessioned2012-09-27
dc.date.accessioned2014-12-17T15:46:22Z
dc.date.accessioned2022-10-06T12:33:36Z
dc.date.available2012-09-27
dc.date.available2014-12-17T15:46:22Z
dc.date.available2022-10-06T12:33:36Z
dc.date.created2012-09-27
dc.date.created2014-12-17T15:46:22Z
dc.date.issued2011-02-28
dc.identifierFEITOSA, Sônia de Melo. Mulher não vale nem um real : patriarcado nas letras das músicas de forró. 2011. 174 f. Dissertação (Mestrado em Serviço Social, Formação Profissional, Trabalho e Proteção Social; Serviço Social, Cultura e Relaçõe) - Universidade Federal do Rio Grande do Norte, Natal, 2011.
dc.identifierhttps://repositorio.ufrn.br/jspui/handle/123456789/17898
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3954724
dc.description.abstractPatriarchy is a dominating system that establishes male power in social relations as the social-ideological system and the structuring element of several ways of men‟s domination on gender social relations, on organization of social life, on private relations, and on political decision spaces. In this study we enlarge our reflection about patriarchy from the analysis of Forró lyrics, more specifically the variation known as stylized. Of late decades, it is a kind of music that has been receiving a large acceptance all over the national territory, making use of everyday expressions that propagate and make apology to many forms of discrimination, oppression and violence against women. We emphasize that over this study 14 Forró lyrics were analyzed of different styles besides stylized, like the traditional and the double meaning ones. However, we dwelled on the content analysis, particularly in three Stylized Forró lyrics, they are: Tapa na Cara (2008) by Saia Rodada Band; Mulher Roleira (2004), Aviões do Forró Band; and Bomba no Cabaré (2007), Matruz com Leite Band. In order to make a critical analysis of the elements in the lyrics content, we support ourselves on the theoretic-methodological references of the dialectical materialism, a method that allowed us to get closer to the totality of the reality that includes the popular involvement of the analyzed lyrics in a qualitative way. In that sense, we hold onto the theoretic-methodological categories: gender social relations, patriarchy, violence against women, ideology and cultural industry. As from the lyrics compilation, they were arranged by theme, we classified and analyzed the content, which allowed us to comprehend the messages in the lyrics, beyond the text shows at first sight. Today, there are many mechanisms of propagation and perpetuation of patriarchal ideology. A very relevant mechanism of this phenomenon is the sexual violence. The violence against women is a form to propagate and keep sexism, which may occur in different ways, like physical, psychological, sexual, patrimonial and social. Through our study we established that the propagation of the violence against women as being something natural and banal, giving reinforcement to the asymmetric construction of gender relations that priorizes male to the detriment of female. This banalization is perhaps, one of the strongest allies of this phenomenon‟s perpetuation, that affects women all over the world from different social classes
dc.publisherUniversidade Federal do Rio Grande do Norte
dc.publisherBR
dc.publisherUFRN
dc.publisherPrograma de Pós-Graduação em Serviço Social
dc.publisherServiço Social, Formação Profissional, Trabalho e Proteção Social; Serviço Social, Cultura e Relaçõe
dc.rightsAcesso Aberto
dc.subjectGênero
dc.subjectPatriarcado
dc.subjectIdeologia
dc.subjectIndústria cultural
dc.subjectViolência contra as mulheres
dc.subjectGender
dc.subjectPatriarchy
dc.subjectIdeology
dc.subjectCultural industry
dc.subjectViolence against women
dc.titleMulher não vale nem um real : patriarcado nas letras das músicas de forró
dc.typemasterThesis


Este ítem pertenece a la siguiente institución