article
O sertanejo: caminhos e (des) caminhos da libertação
Fecha
2014-11Registro en:
2359-1323
10.15628/dialektike.2014.2567
Autor
Miranda, Angela Luzia
Souza, Leonardo da Rocha Bezerra de
Resumen
Throughout the twentieth century, several changes occurred in the Brazilian geopolitical and
cultural scene, especially in the northeast, where the flow of migrants to southeastern Brazil
(SP, MG, RJ) has caused major changes in the point of view of cultural identity : life in the
northeast, field worker (also called "Sertanejo"). The identification of this process is evident in
the background work of the singer and composer Luiz Gonzaga (1912 - 1989), who portrayed
the many phases and faces of these transformations, characterizing the impacts suffered by
backwoodsmen, from the point of view of their culture. This paper aims to analyze through the
background work of Luiz Gonzaga, the confrontation of the Sertanejo (in terms of culture and
identity) with the new scenario in which it was included (involuntarily). We will analyze these
thematic clippings through the category of Exteriority, brought by the Argentinean philosopher
Enrique Dussel