dc.contributorDimenstein, Magda Diniz Bezerra
dc.contributor
dc.contributorhttp://lattes.cnpq.br/3695805862483991
dc.contributor
dc.contributorhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4763508E6
dc.contributorNóbrega, Terezinha Petrucia da
dc.contributor
dc.contributorhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4792996P7
dc.contributorLavrador, Maria Cristina Campello
dc.contributor
dc.contributorhttp://lattes.cnpq.br/5508084483522992
dc.creatorLiberato, Mariana Tavares Cavalcanti
dc.date.accessioned2008-03-31
dc.date.accessioned2014-12-17T15:38:39Z
dc.date.accessioned2022-10-05T23:09:44Z
dc.date.available2008-03-31
dc.date.available2014-12-17T15:38:39Z
dc.date.available2022-10-05T23:09:44Z
dc.date.created2008-03-31
dc.date.created2014-12-17T15:38:39Z
dc.date.issued2007-12-10
dc.identifierLIBERATO, Mariana Tavares Cavalcanti. Encontros entre dança, subjetivação e saúde mental. 2007. 159 f. Dissertação (Mestrado em Psicologia, Sociedade e Qualidade de Vida) - Universidade Federal do Rio Grande do Norte, Natal, 2007.
dc.identifierhttps://repositorio.ufrn.br/jspui/handle/123456789/17407
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3948310
dc.description.abstractTaking from starting point the contact with the experience of a dancing body language group at Centro de Atenção Psicossocial (CAPS) II in Fortaleza-CE, aiming to investigate the relationship between what we denominate dancing-dispositive and the process of de-institutionalization of insanity. Based in the philosophy of difference and in the cartographic perspective, we used the concept of dispositive in order to make visible the lines that compose it and the way they tangle in the production of different ways of subjectivation through another form of expression using the body. We followed two fortnight groups of body language recording the conversations that took place in the beginning and in the end of the activities. We also recorded our informal talks with the workshopper, with the psychiatrist responsible for the course of formation of artists of CAPS and the choreographer who was part of the artistic formation of the workshopper aiming to elucidate the body, dance and art conceptions which guided such work. Finally, we interviewed some technicians and we participated of a meeting of the team aiming to understand how that activity was perceived. We observed that the use of certain conception of dance in the field of mental health is in consonance with the the Phychiatric Reform, since it provides another way of dealing with the body, different from that produced by the contention and by the discipline. Nevertheless, we understood that there is a risk that, in some moments, the group being more a place of normalization than one of experimenting other ways of relating with yourself and with the others. We also noted that the dancing-dispositive appears as an important analyzer of the connections established at CAPS, indicating a need of the service to be more opened to the production of new care and harboring strategies, breaking the mental health facility logic of incarceration of life which still persists in the quotidian of that institution
dc.publisherUniversidade Federal do Rio Grande do Norte
dc.publisherBR
dc.publisherUFRN
dc.publisherPrograma de Pós-Graduação em Psicologia
dc.publisherPsicologia, Sociedade e Qualidade de Vida
dc.rightsAcesso Aberto
dc.subjectDança
dc.subjectCorpo
dc.subjectSaúde mental
dc.subjectCartografia
dc.subjectProcessos de subjetivação
dc.subjectDance
dc.subjectBody
dc.subjectMental health
dc.subjectCartography
dc.subjectSubjectivation processes
dc.titleEncontros entre dança, subjetivação e saúde mental
dc.typemasterThesis


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