dc.contributorUniversidade Estadual Paulista (Unesp)
dc.contributorUniversidade Estadual de Campinas (UNICAMP)
dc.date.accessioned2014-05-20T15:34:49Z
dc.date.accessioned2022-10-05T17:19:57Z
dc.date.available2014-05-20T15:34:49Z
dc.date.available2022-10-05T17:19:57Z
dc.date.created2014-05-20T15:34:49Z
dc.date.issued2011-01-01
dc.identifierMusica Hodie. Goiania Go: Univ Federal Goias, v. 11, n. 2, p. 93-111, 2011.
dc.identifier1676-3939
dc.identifierhttp://hdl.handle.net/11449/42653
dc.identifierWOS:000306999200006
dc.identifierWOS000306999200006.pdf
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3913505
dc.description.abstractThis paper is a small part of my Doctoral dissertation which is a large study about the practice and sonority in various choral music styles. Focusing on the choral music from the beginning of the 20th century to the present day, and based upon a bibliographical review, this article describes the characteristics of the choral composition and reflects on the performance aspects of the performance of modern and contemporary choral repertoire such as vocal tone color, intonation and non-traditional vocal techniques.
dc.languagepor
dc.publisherUniv Federal Goias
dc.relationMusica Hodie
dc.relation0,115
dc.rightsAcesso aberto
dc.sourceWeb of Science
dc.subjectVocal music
dc.subjectChoral music
dc.subjectChoral Conducting
dc.subjectVocal technique
dc.subjectModern music
dc.subjectContemporary music
dc.titleA Música Coral dos Primórdios do Século XX aos Primórdios do Século XXI: a Composição para Coros e a Performance do Repertório Moderno/Contemporâne
dc.typeArtigo


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