Brincante Body:: the travesti presence in the performances of the Reisado quilombos

Brincante Body: : the travesti presence in the performances of the Reisado quilombos1

dc.creatorOliveira Junior, Ribamar José de
dc.date2022-07-22
dc.date.accessioned2022-10-04T23:57:41Z
dc.date.available2022-10-04T23:57:41Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/123612
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876673
dc.descriptionThis article analyzes the performance of the Reisado quilombos from the travesti presence in the popular culture of Juazeiro do Norte, Cariri region, in the countryside of Ceará. In order to reflect on the performance and its animated forms, we consider one of the passages from the cartography that flows through sexual and gender dissidences in Ceará’s Reisados, in which we follow the quilombo of the Sagrada Família group between the performance of gender and the animation of the game. Using the route of one of the first travesti Maestras, we point to the encantravar of the brincante body as a way to praise the travesti body, in the spirals of time played.en-US
dc.descriptionL’article analyse la performance du Reisado quilombos à partir de la présence travesti dans la culture populaire de Juazeiro do Norte, région de Cariri, intérieur du Ceará. Afin de réfléchirsurla performance et ses formes animées, ilconsidèreundespassages de la cartographie qui suit les dissidences sexuelles et de genredansles Reisados de Ceará, dans le quelle quilombo du groupe Sagrada Família a été suivi entre la performance de genre et l’animation de la brincadeira. A travers le parcours d’unedes premiers maîtres travestis, l’encantravamento du corps brincante est pointé comme une manière, dans les spirales du temps brincado, de faire l’éloge du corps travesti.fr-FR
dc.descriptionThis article analyzes the performance of the Reisado quilombos from the travesti presence in the popular culture of Juazeiro do Norte, Cariri region, in the countryside of Ceará. In order to reflect on the performance and its animated forms, we consider one of the passages from the cartography that flows through sexual and gender dissidences in Ceará’s Reisados, in which we follow the quilombo of the Sagrada Família group between the performance of gender and the animation of the game. Using the route of one of the first travesti Maestras, we point to the encantravar of the brincante body as a way to praise the travesti body, in the spirals of time played.pt-BR
dc.languageeng
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/123612/85584
dc.rightsCopyright (c) 2022 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-30en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-30fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 12 No 3 (2022): Jul./Set.2022; 1-30fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 12 n. 3 (2022): Jul./Set.2022; 1-30pt-BR
dc.source2237-2660
dc.subjectBodyen-US
dc.subjectReisadoen-US
dc.subjectTravestien-US
dc.subjectPerformanceen-US
dc.subjectQuilomboen-US
dc.subjectCorpsfr-FR
dc.subjectReisadofr-FR
dc.subjectTravestifr-FR
dc.subjectPerformancefr-FR
dc.subjectQuilombofr-FR
dc.subjectCorpopt-BR
dc.subjectReisadopt-BR
dc.subjectTravestipt-BR
dc.subjectPerformancept-BR
dc.subjectQuilombopt-BR
dc.titleBrincante Body:: the travesti presence in the performances of the Reisado quilombosen-US
dc.titleBrincante Body: : the travesti presence in the performances of the Reisado quilombos1pt-BR
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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