Dancing Rupestres: the radical of the body in intentional aesthetic movement

Rupestres Dansants: le radical du corps en mouvement intentionnel esthétique: the radical of the body in intentional aesthetic movement;
Dancing Rupestres: : the radical of the body in intentional aesthetic movement

dc.creatorGuilherme, Sylviane
dc.creatorSousa Fernandes, Silvia Aparecida de
dc.date2022-07-22
dc.date.accessioned2022-10-04T23:57:31Z
dc.date.available2022-10-04T23:57:31Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/123352
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876671
dc.descriptionThe text presents a critical analysis of the roots of dance from the perspective of historical and dialectical materialism, the formulations of Marx and Engels, and of the Marxist aesthetes who followed them, proposing a study of the concept, reason and purpose of dance for the human race. It approaches themes such as work as the founding category of the human being. It then discusses human body movement as free creation work, intentional body movements of work and the process of their transition into dance movements. Finally, based on studies on human manifestations developed on the aesthetic level, it shows how the human being arrived at dance as art.  en-US
dc.descriptionCe texte présente une analyse critique sur la racine de la dansedans la perspective du matérialisme historique et dialectique, des formulations de Marx et Engels et des esthètes marxistes qui lui ont suivi, en proposant une étude sur le concept, la raison et la finalité de la danse pour le genre humain. Nous abordons des thèmes tels que le travail en tant que catégorie fondatrice de l'être humain. En suite, le mouvement corporel humain comme œuvre de création libre, les mouvements corporels intentionnels du travail et le processus de transition de ceux-ci aux mouvements de danse. Et, enfin, à partir des études sur les manifestations humaines développées sur le plan esthétique, comment l'être humain en est venu à la danse en tant qu'art.fr-FR
dc.descriptionThe text presents a critical analysis of the roots of dance from the perspective of historical and dialectical materialism, the formulations of Marx and Engels, and of the Marxist aesthetes who followed them, proposing a study of the concept, reason and purpose of dance for the human race. It approaches themes such as work as the founding category of the human being. It then discusses human body movement as free creation work, intentional body movements of work and the process of their transition into dance movements. Finally, based on studies on human manifestations developed on the aesthetic level, it shows how the human being arrived at dance as art.pt-BR
dc.languageeng
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/123352/85575
dc.rightsCopyright (c) 2022 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-29en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-29fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 12 No 3 (2022): Jul./Set.2022; 1-29fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 12 n. 3 (2022): Jul./Set.2022; 1-29pt-BR
dc.source2237-2660
dc.titleDancing Rupestres: the radical of the body in intentional aesthetic movementen-US
dc.titleRupestres Dansants: le radical du corps en mouvement intentionnel esthétique: the radical of the body in intentional aesthetic movementfr-FR
dc.titleDancing Rupestres: : the radical of the body in intentional aesthetic movementpt-BR
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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