A critical historical view of modern/contemporary dance in Mexico

dc.creatorDíaz Castellanos, Roxana Margarita
dc.date2021-12-27
dc.date.accessioned2022-10-04T23:57:22Z
dc.date.available2022-10-04T23:57:22Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/119331
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876654
dc.descriptionThis article analyzes some historical accounts by researcher Alberto Dallal about stage dance in 20th century Mexico. Three issues are identified in them: 1) the linearity of history and its teleological division between modern and contemporary dance; 2) the incorporation of the Western categories of modern and contemporary into the history of Mexican dance to show its development; 3) the explanation of the origin and the occurrence of the dance through certain exemplary individuals. A discursive critique of history is proposed to avoid linearities and hierarchies, and the coexistence of other expressions overshadowed by the dominant narratives is explored.en-US
dc.languageeng
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/119331/65686
dc.rightsCopyright (c) 2021 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 12 No. 1 (2022): Jan./Mar. 2022; 1-22en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 12 No. 1 (2022): Jan./Mar. 2022; 1-22fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 12 No 1 (2022): Jan./Mar. 2022; 1-22fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 12 n. 1 (2022): Jan./Mar. 2022; 1-22pt-BR
dc.source2237-2660
dc.subjectHistoryen-US
dc.subjectModern/contemporary danceen-US
dc.subjectHistoricismen-US
dc.subjectColonialismen-US
dc.subjectIndividualities.en-US
dc.titleA critical historical view of modern/contemporary dance in Mexicoen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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