dc.creatorMüssnich Rotta Gomes de Assunção, Naiara
dc.creatorCaputo Paschoal, Nina Ingrid
dc.date2021-12-27
dc.date.accessioned2022-10-04T23:57:20Z
dc.date.available2022-10-04T23:57:20Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/119200
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876650
dc.descriptionThis article analyses representations of “belly dance” in paintings and travel literature produced by Europeans in the 19th century. Locating this dance in time and space, describing characteristics and subjects that were important for the development of this practice, it analyses its deep relationship with the colonization process in Egypt. We conclude that the dances practiced by men and, above all, by women in the Egyptian territory in the 19th century underwent European filters and interpretations before consolidating in the West as “belly dancing”. This socio political context left visible marks in the way this body repertoire is performed, represented and reputed today.en-US
dc.languageeng
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/119200/65678
dc.rightsCopyright (c) 2021 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 12 No. 1 (2022): Jan./Mar. 2022; 1-32en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 12 No. 1 (2022): Jan./Mar. 2022; 1-32fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 12 No 1 (2022): Jan./Mar. 2022; 1-32fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 12 n. 1 (2022): Jan./Mar. 2022; 1-32pt-BR
dc.source2237-2660
dc.subjectBelly Dance. Orientalism. Colonialism. Representation. Cultural History.en-US
dc.subjectBelly Dance Historyen-US
dc.titleOrientalism in motion: representations of “belly dance” in paintings and travel literature (19th century)en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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