The Bicha Louca (Crazy Fag) Character and the Construction of a Network of Actorial Work in Brazil during the Civil-Military Dictatorship (1964-1985)
The Bicha Louca (Crazy Fag) Character and the Construction of a Network of Actorial Work in Brazil during the Civil-Military Dictatorship (1964-1985)
dc.creator | Ferreira da Rocha Junior, Alberto | |
dc.date | 2021-06-30 | |
dc.date.accessioned | 2022-10-04T23:57:08Z | |
dc.date.available | 2022-10-04T23:57:08Z | |
dc.identifier | https://seer.ufrgs.br/index.php/presenca/article/view/114354 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3876625 | |
dc.description | The article proposes the existence of an actorial network that created a character-type of the male homosexual, which could be called the bicha louca (crazy fag). Actors such as Nestor Montemar, Raul Cortez, Ítalo Rossi and Emiliano Queiroz participated in this network, contributing to the theatre being a space of visibility for the LGBT population and of resistance to the moral and political repression in the period of the Brazilian civil military dictatorship (1964-1985). | en-US |
dc.description | The article proposes the existence of an actorial network that created a character-type of the male homosexual, which could be called the bicha louca (crazy fag). Actors such as Nestor Montemar, Raul Cortez, Ítalo Rossi and Emiliano Queiroz participated in this network, contributing to the theatre being a space of visibility for the LGBT population and of resistance to the moral and political repression in the period of the Brazilian civil military dictatorship (1964-1985). | pt-BR |
dc.language | eng | |
dc.publisher | Universidade Federal do Rio Grande do Sul | pt-BR |
dc.relation | https://seer.ufrgs.br/index.php/presenca/article/view/114354/63390 | |
dc.rights | Copyright (c) 2021 Revista Brasileira de Estudos da Presença | pt-BR |
dc.source | Brazilian Journal on Presence Studies; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-25 | en-US |
dc.source | Révue Brésilienne d'Études de la Présence; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-25 | fr-CA |
dc.source | Révue Brésilienne d'Études de la Présence; Vol. 11 No 3 (2021): Jul./Set.2021; 01-25 | fr-FR |
dc.source | Revista Brasileira de Estudos da Presença; v. 11 n. 3 (2021): Jul./Set.2021; 01-25 | pt-BR |
dc.source | 2237-2660 | |
dc.subject | Brazilian Theatre | en-US |
dc.subject | Performing Arts History | en-US |
dc.subject | LGBT | en-US |
dc.subject | Dictatorship. | en-US |
dc.subject | Brazilian Theatre | pt-BR |
dc.subject | Performing Arts History | pt-BR |
dc.subject | LGBT | pt-BR |
dc.subject | Dictatorship. | pt-BR |
dc.subject | Teatro | pt-BR |
dc.title | The Bicha Louca (Crazy Fag) Character and the Construction of a Network of Actorial Work in Brazil during the Civil-Military Dictatorship (1964-1985) | en-US |
dc.title | The Bicha Louca (Crazy Fag) Character and the Construction of a Network of Actorial Work in Brazil during the Civil-Military Dictatorship (1964-1985) | pt-BR |
dc.type | info:eu-repo/semantics/article | |
dc.type | info:eu-repo/semantics/publishedVersion |