Music and Corporeal Mimesis: creative frictions for the dramaturgy of the musician-actuator

dc.creatorSouza, Eduardo Conegundes
dc.date2021-06-30
dc.date.accessioned2022-10-04T23:57:00Z
dc.date.available2022-10-04T23:57:00Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/113545
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876613
dc.descriptionBuilt as a cartographic report, this article aims to give insight to the practical and conceptual procedures carried out during the research process that culminated in the scenic and musical creation of the show Uji – O Bom da Roda. Based on the cartographic method, we focus on encounters and contaminations produced between the theatrical universe and the roda de samba (samba circle) in its multiple expressive dimensions. Within a territory of creative frictions, Corporeal Mimesis presented itself as a fundamental element of articulation between music, body, scene and dramaturgy.en-US
dc.languageeng
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/113545/63359
dc.rightsCopyright (c) 2021 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-32en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 11 No. 3 (2021): Jul./Set.2021; 01-32fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 11 No 3 (2021): Jul./Set.2021; 01-32fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 11 n. 3 (2021): Jul./Set.2021; 01-32pt-BR
dc.source2237-2660
dc.subjectCorporeal Mimesisen-US
dc.subjectMusicen-US
dc.subjectPresenceen-US
dc.subjectCartographyen-US
dc.subjectActor Dramaturgy.en-US
dc.subjectDramatic music.en-US
dc.titleMusic and Corporeal Mimesis: creative frictions for the dramaturgy of the musician-actuatoren-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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