Brasil | info:eu-repo/semantics/article
dc.creatorMartínez, Ariel
dc.creatorMora, Ana Sabrina
dc.date2020-06-26
dc.date.accessioned2022-10-04T23:56:09Z
dc.date.available2022-10-04T23:56:09Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/102024
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876523
dc.descriptionConsidering the scenic performances of the artist Susy Shock, and in particular the stage presentation she makes of a so called monstrosity that maintains a series of elements that make up a scenic performance where the monstrosity can break into the field of intersection and conjugation, we offer some epistemological thoughts about the limits of identity representations versus stage presentations. Her poetic performances include songs of musical genres of Argentine folklore (vidalas, coplas, tangos), through the appropriation of a traditional cultural product in the voice of a transgender person. This produces the visibility of a radical alterity in the simultaneous presentation of elements that can only be recovered from the intersectionality that is released in the ground of presentation, where all the elements break into overlap at the same time and in the same place.en-US
dc.languageeng
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/102024/57366
dc.rightsCopyright (c) 2020 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 10 No. 3 (2020): Jul./Set. 2020; 01-27en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 10 No. 3 (2020): Jul./Set. 2020; 01-27fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 10 No 3 (2020): Jul./Set. 2020; 01-27fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 10 n. 3 (2020): Jul./Set. 2020; 01-27pt-BR
dc.source2237-2660
dc.subjectTransvestite Stage Performanceen-US
dc.subjectIntersectionalityen-US
dc.subjectConjunctionen-US
dc.subjectRadical Alterityen-US
dc.titleThe Scenic Performance as Subversive Negativity: radical alterity and trava sudaca performance in the voice of Susy Shocken-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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