‘The very cunning of the scene’: notes towards a common dispositive for theatre and philosophy

dc.creatorRokem, Freddie
dc.date2022-09-27
dc.date.accessioned2022-10-04T23:55:16Z
dc.date.available2022-10-04T23:55:16Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/92434
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876436
dc.descriptionThe article suggests that eavesdropping scenes contain the key to a fundamental dispositive of the theatre, that reinforces the intricate metatheatrical dimensions of any performance and amplifies its philosophical aspects. In order to make this claim clear, the article discusses the idea of a dispositive, a concept broadly taken from Foucault (1980; 1986) and applies its self-reflexive dimensions to a number of examples from different plays, in order to demonstrate as those work both as scores for performances as well as texts with a philosophical character.en-US
dc.languageeng
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/92434/55929
dc.rightsCopyright (c) 2020 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 10 No. 1 (2020): Jan.Mar/2020; 01-20en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 10 No. 1 (2020): Jan.Mar/2020; 01-20fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 10 No 1 (2020): Jan.Mar/2020; 01-20fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 10 n. 1 (2020): Jan.Mar/2020; 01-20pt-BR
dc.source2237-2660
dc.subjectEavesdroppingen-US
dc.subjectDispositiveen-US
dc.subjectMetatheatreen-US
dc.subjectPhilosophy of Dramaen-US
dc.subjectPerformance Philosophyen-US
dc.title‘The very cunning of the scene’: notes towards a common dispositive for theatre and philosophyen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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