dc.creatorPereira (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brazil), Marcelo de Andrade
dc.date2022-10-03
dc.date.accessioned2022-10-04T23:54:32Z
dc.date.available2022-10-04T23:54:32Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/83945
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876366
dc.descriptionThe paper is a philosophical reflection from a survey of the academic productioncarried through in Brazil on the work of the German choreographer Pina Bausch. This survey wasaccomplished in digital platforms, comprising the period from 1988 to 2018, and included articlespublished in journals, book chapters, books, dissertations and theses. Thus, the present investigation intendsto inquire in which way such approaches are close to Bausch's work, whether directly or indirectly. Conceptsof image, parody and tale are used to reflect, with the input of Giorgio Agamben and Walter Benjamin'sphilosophy – in a collateral form –, on the paradoxes of the research at issue.en-US
dc.languageeng
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/83945/50230
dc.rightsCopyright (c) 2018 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 8 No. 3 (2018): Jul./Sep.2018; 441-468en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 8 No. 3 (2018): Jul./Set.2018; 441-468fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 8 No 3 (2018): Jui./Sep. 2018; 441-468fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 8 n. 3 (2018): Jul./Set.2018; 441-468pt-BR
dc.source2237-2660
dc.subjectPina Bausch. Narratives. Research. Giorgio Agamben. Dance.en-US
dc.titleBetween Tale and Parody: Pina Bausch and her re-readings in the Brazilian academic researchen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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