Documenting the Ephemeral: reconsidering the idea of presence in discussions on performance
Documenter l’Éphémère: vers une extension de la catégorie de présence dans les discussions sur la performance;
Documenting the Ephemeral: reconsidering the idea of presence in discussions on performance
| dc.creator | Ayerbe (Universidad de Deusto – Bilbao/Vizcaya, Spain), Nerea | |
| dc.date | 2022-10-04 | |
| dc.date.accessioned | 2022-10-04T23:53:55Z | |
| dc.date.available | 2022-10-04T23:53:55Z | |
| dc.identifier | https://seer.ufrgs.br/index.php/presenca/article/view/75085 | |
| dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3876291 | |
| dc.description | The category of presence plays a major role in the most accepted definitions of performance art. This centrality of the ephemeral presence of the artist’s body has prevented an appreciation of performance documentation in all its importance. Taking Peggy Phelan’s position as representative of the prevailing paradigm, this article presents its main objections and intends to broaden the concept of presence in its application to performance to accommodate the documentation processes. | en-US |
| dc.description | La présence, en tant que catégorie, joue un rôle majeur parmi les plus acceptées des définitions de l’art de la performance. Le caractère central que prend la présence éphémère du corps de l’artiste a empêché que l’on puisse apprécier la documentation de la performance à sa juste valeur. En prenant l’approche de Peggy Phelan autour de la documentation de la performance en tant que représentant du paradigme dominant, cet article présente les principales objections et propose d’élargir l’usage fait du concept de présence dans la performance, afin de tenir compte du processus de documentation. | fr-FR |
| dc.description | The category of presence plays a major role in the most accepted definitions of performance art. This centrality of the ephemeral presence of the artist’s body has prevented an appreciation of performance documentation in all its importance. Taking Peggy Phelan’s position as representative of the prevailing paradigm, this article presents its main objections and intends to broaden the concept of presence in its application to performance to accommodate the documentation processes. | pt-BR |
| dc.language | eng | |
| dc.publisher | Universidade Federal do Rio Grande do Sul | pt-BR |
| dc.relation | https://seer.ufrgs.br/index.php/presenca/article/view/75085/50321 | |
| dc.rights | Copyright (c) 2017 Revista Brasileira de Estudos da Presença | pt-BR |
| dc.source | Brazilian Journal on Presence Studies; Vol. 7 No. 3 (2017): Set./Dez. 2017; 551-572 | en-US |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 7 No. 3 (2017): Set./Dez. 2017; 551-572 | fr-CA |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 7 No 3 (2017): Set./Dez. 2017; 551-572 | fr-FR |
| dc.source | Revista Brasileira de Estudos da Presença; v. 7 n. 3 (2017): Set./Dez. 2017; 551-572 | pt-BR |
| dc.source | 2237-2660 | |
| dc.subject | Performance | en-US |
| dc.subject | Presence | en-US |
| dc.subject | Ephemeral | en-US |
| dc.subject | Documentation | en-US |
| dc.subject | Materiality | en-US |
| dc.subject | Performance | pt-BR |
| dc.subject | Presence | pt-BR |
| dc.subject | Ephemeral | pt-BR |
| dc.subject | Documentation | pt-BR |
| dc.subject | Materiality | pt-BR |
| dc.subject | Performance | fr-FR |
| dc.subject | Présence | fr-FR |
| dc.subject | Éphémère | fr-FR |
| dc.subject | Documentation | fr-FR |
| dc.subject | Materialité | fr-FR |
| dc.title | Documenting the Ephemeral: reconsidering the idea of presence in discussions on performance | en-US |
| dc.title | Documenter l’Éphémère: vers une extension de la catégorie de présence dans les discussions sur la performance | fr-FR |
| dc.title | Documenting the Ephemeral: reconsidering the idea of presence in discussions on performance | pt-BR |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |