Reconsidering Acting: a few improvised and provisory thoughts on acting today

Reconsidering Acting: a few improvised and provisory thoughts on acting today;
Reconsidering Acting: a few improvised and provisory thoughts on acting today

dc.creatorPavis (University of Kent, Canterbury – United Kingdom), Patrice
dc.date2015-12-02
dc.date.accessioned2022-10-04T23:52:53Z
dc.date.available2022-10-04T23:52:53Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/54652
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876189
dc.descriptionThis paper summarizes my thoughts during the presentation of the conference Acting reconsidered. The study of the actor in contemporary performances should be reevaluated in the light of the experiments of the last fifty years, particularly performance art, post-dramatic theatre, participative theatre and many political theatre. The new tasks and conceptions of the actor are introduced. Stanislavki’s notion of psychological realism is questioned. The suggestion of de-dramatizing, delocalizing, de-training the actor might help the actor to orient oneself in the world. en-US
dc.descriptionThis paper summarizes my thoughts during the presentation of the conference Acting reconsidered. The study of the actor in contemporary performances should be reevaluated in the light of the experiments of the last fifty years, particularly performance art, post-dramatic theatre, participative theatre and many political theatre. The new tasks and conceptions of the actor are introduced. Stanislavki’s notion of psychological realism is questioned. The suggestion of de-dramatizing, delocalizing, de-training the actor might help the actor to orient oneself in the world.fr-CA
dc.descriptionThis paper summarizes my thoughts during the presentation of the conference Acting reconsidered. The study of the actor in contemporary performances should be reevaluated in the light of the experiments of the last fifty years, particularly performance art, post-dramatic theatre, participative theatre and many political theatre. The new tasks and conceptions of the actor are introduced. Stanislavki’s notion of psychological realism is questioned. The suggestion of de-dramatizing, delocalizing, de-training the actor might help the actor to orient oneself in the world. pt-BR
dc.languageeng
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/54652/50483
dc.sourceBrazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 173-182en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 173-182fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 173-182fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 173-182pt-BR
dc.source2237-2660
dc.subjectActingen-US
dc.subjectStagingen-US
dc.subjectActor’s Trainingen-US
dc.subjectPost-dramaticen-US
dc.subjectTheatreen-US
dc.subjectActingpt-BR
dc.subjectStagingpt-BR
dc.subjectActor’s Trainingpt-BR
dc.subjectPost-dramaticpt-BR
dc.subjectTheatrept-BR
dc.subjectActingfr-CA
dc.subjectStagingfr-CA
dc.subjectActor’s Trainingfr-CA
dc.subjectPost-dramaticfr-CA
dc.subjectTheatrefr-CA
dc.titleReconsidering Acting: a few improvised and provisory thoughts on acting todayen-US
dc.titleReconsidering Acting: a few improvised and provisory thoughts on acting todayfr-CA
dc.titleReconsidering Acting: a few improvised and provisory thoughts on acting todaypt-BR
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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