L’Esthétique de la Compagnie Pan Pan Théâtre;
A Estética da Pan Pan Theatre

dc.creatorRuiz (University College Dublin – Dublin, Irlanda), Noelia
dc.date2013-06-06
dc.date.accessioned2022-10-04T23:52:46Z
dc.date.available2022-10-04T23:52:46Z
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/37294
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3876173
dc.descriptionThis paper aims to elucidate Pan Pan Theatre’s aesthetics through an instance of their rehearsal process, especially in terms of their performance mode, which cannot be dissociated from their manifest intention to create a specific atmosphere. This paper explores Michael Kirby’s continuum between non-matrixed performance and complex acting, with regard to Pan Pan Theatre’s performance style, which enhances a particular conception of time and space as metonymic.en-US
dc.descriptionCet article cherche à appréhender l’esthétique de la compagnie Pan Pan Théâtre à partir de l’observation de son processus de création. Il s’attache plus particulièrement à son type de performance qui ne peut pas être dissocié d’une intention manifeste de créer une atmosphère assez particulière. Pour ce faire, l’auteur explore le continuum de Michael Kirby, entre la performance non matricielle et le jeu complexe, ainsi que le concept de Lehmann sur le temps et l’espace métonymiques.fr-CA
dc.descriptionEste artigo visa elucidar a estética da Pan Pan Theatre através de uma instância do seu processo de ensaio, especialmente nos termos de seu tipo de performance, que não pode ser dissociado de sua intenção manifesta de criar uma atmosfera bastante específica. Para tal, o texto explora o continuum de Michael Kirby entre a performance não-matricial e a atuação complexa, assim como conceito de Lehmann sobre o tempo e espaço como metonímicos.pt-BR
dc.languagepor
dc.publisherUniversidade Federal do Rio Grande do Sulpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/37294/50968
dc.sourceBrazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 447-457fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 447-457pt-BR
dc.source2237-2660
dc.subjectContemporary Theatreen-US
dc.subjectPostdramatic Theatreen-US
dc.subjectCreative Processesen-US
dc.subjectCompany Analysisen-US
dc.subjectGenetics of Performanceen-US
dc.subjectTeatro Contemporâneopt-BR
dc.subjectTeatro Pós-Dramáticopt-BR
dc.subjectProcessos Criativospt-BR
dc.subjectAnálise de Companhiapt-BR
dc.subjectGenética da Performancept-BR
dc.subjectThéâtre Contemporainfr-CA
dc.subjectThéâtre Postdramatiquefr-CA
dc.subjectProcessus de Créationfr-CA
dc.subjectAnalyse de Compagniefr-CA
dc.subjectGénétique de la Performancefr-CA
dc.titlePan Pan Theatre Aestheticsen-US
dc.titleL’Esthétique de la Compagnie Pan Pan Théâtrefr-CA
dc.titleA Estética da Pan Pan Theatrept-BR
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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