Pan Pan Theatre Aesthetics
L’Esthétique de la Compagnie Pan Pan Théâtre;
A Estética da Pan Pan Theatre
dc.creator | Ruiz (University College Dublin – Dublin, Irlanda), Noelia | |
dc.date | 2013-06-06 | |
dc.date.accessioned | 2022-10-04T23:52:46Z | |
dc.date.available | 2022-10-04T23:52:46Z | |
dc.identifier | https://seer.ufrgs.br/index.php/presenca/article/view/37294 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3876173 | |
dc.description | This paper aims to elucidate Pan Pan Theatre’s aesthetics through an instance of their rehearsal process, especially in terms of their performance mode, which cannot be dissociated from their manifest intention to create a specific atmosphere. This paper explores Michael Kirby’s continuum between non-matrixed performance and complex acting, with regard to Pan Pan Theatre’s performance style, which enhances a particular conception of time and space as metonymic. | en-US |
dc.description | Cet article cherche à appréhender l’esthétique de la compagnie Pan Pan Théâtre à partir de l’observation de son processus de création. Il s’attache plus particulièrement à son type de performance qui ne peut pas être dissocié d’une intention manifeste de créer une atmosphère assez particulière. Pour ce faire, l’auteur explore le continuum de Michael Kirby, entre la performance non matricielle et le jeu complexe, ainsi que le concept de Lehmann sur le temps et l’espace métonymiques. | fr-CA |
dc.description | Este artigo visa elucidar a estética da Pan Pan Theatre através de uma instância do seu processo de ensaio, especialmente nos termos de seu tipo de performance, que não pode ser dissociado de sua intenção manifesta de criar uma atmosfera bastante específica. Para tal, o texto explora o continuum de Michael Kirby entre a performance não-matricial e a atuação complexa, assim como conceito de Lehmann sobre o tempo e espaço como metonímicos. | pt-BR |
dc.language | por | |
dc.publisher | Universidade Federal do Rio Grande do Sul | pt-BR |
dc.relation | https://seer.ufrgs.br/index.php/presenca/article/view/37294/50968 | |
dc.source | Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457 | en-US |
dc.source | Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457 | fr-CA |
dc.source | Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 447-457 | fr-FR |
dc.source | Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 447-457 | pt-BR |
dc.source | 2237-2660 | |
dc.subject | Contemporary Theatre | en-US |
dc.subject | Postdramatic Theatre | en-US |
dc.subject | Creative Processes | en-US |
dc.subject | Company Analysis | en-US |
dc.subject | Genetics of Performance | en-US |
dc.subject | Teatro Contemporâneo | pt-BR |
dc.subject | Teatro Pós-Dramático | pt-BR |
dc.subject | Processos Criativos | pt-BR |
dc.subject | Análise de Companhia | pt-BR |
dc.subject | Genética da Performance | pt-BR |
dc.subject | Théâtre Contemporain | fr-CA |
dc.subject | Théâtre Postdramatique | fr-CA |
dc.subject | Processus de Création | fr-CA |
dc.subject | Analyse de Compagnie | fr-CA |
dc.subject | Génétique de la Performance | fr-CA |
dc.title | Pan Pan Theatre Aesthetics | en-US |
dc.title | L’Esthétique de la Compagnie Pan Pan Théâtre | fr-CA |
dc.title | A Estética da Pan Pan Theatre | pt-BR |
dc.type | info:eu-repo/semantics/article | |
dc.type | info:eu-repo/semantics/publishedVersion |