dc.contributorEvandro José Lemos da Cunha
dc.contributorhttp://lattes.cnpq.br/4786927139430779
dc.contributorLucia Gouvêa Pimentel
dc.contributorAna Lucia Menezes de Andrade
dc.contributorMariana Mól Gonçalves
dc.creatorBeatriz Conceição Fraga França
dc.date.accessioned2022-04-01T14:03:35Z
dc.date.accessioned2022-10-04T00:10:56Z
dc.date.available2022-04-01T14:03:35Z
dc.date.available2022-10-04T00:10:56Z
dc.date.created2022-04-01T14:03:35Z
dc.date.issued2021-10-27
dc.identifierhttp://hdl.handle.net/1843/40694
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3832154
dc.description.abstractAnalyzing the life and work of the American painter Edward Hopper, this dissertation pursues to identify the echoes of Hopper's work in cinema through the analysis of the pictorial and its influences on the filmic space. The technical aspects, composition, language, and meaning present in Hopper's works are considered, emphasizing the melancholy and alienation present in his works and how these are reconfigured into the cinematographic representation. This work also discusses why Hopper’s ethereal and spectral elements and atmosphere influence cinema. The research object was based on some of Hopper's paintings that were repeatedly reproduced in cinematographic works, such as House by the Railroad (1925); Nighthawks (1942); Automat (1927); Gas (1940), and Night Windows (1928), as well as some of his cinematographic representations, such as Shirley: Visions of Reality (2014), directed by Gustav Deutsch; Psycho (1960) and Rear Window (1954), both directed by Alfred Hitchcock, and Profondo Rosso (1975), directed by Dario Argento, among other works. This work sets one’s sights on identifying the recurrent visual elements of Hopper's work in cinema; to list the characteristics similar to these works and identify the context in which the Hopperian works are cinematically represented.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherEBA - ESCOLA DE BELAS ARTES
dc.publisherPrograma de Pós-Graduação em Artes
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectEdward Hopper
dc.subjectCinema
dc.subjectPintura
dc.subjectCinema e artes plásticas
dc.subjectCinema e pintura
dc.titleA mise en scène e influência hopperiana no cinema
dc.typeDissertação


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