A linguagem do corpo na obra de Hilda Hilst: "Agda" e A obscena Senhora D

dc.contributorMarcos Antonio Alexandre
dc.contributorSara Del Carmen Rojo de La Rosa
dc.contributorAntonio Barreto Hildebrando
dc.creatorArethuza Iemini de Padua
dc.date.accessioned2019-08-10T17:23:06Z
dc.date.accessioned2022-10-04T00:07:58Z
dc.date.available2019-08-10T17:23:06Z
dc.date.available2022-10-04T00:07:58Z
dc.date.created2019-08-10T17:23:06Z
dc.date.issued2015-02-27
dc.identifierhttp://hdl.handle.net/1843/ECAP-9U5HZQ
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3831773
dc.description.abstractIn this paper, the relation between the work of Hilda Hilst and the performative writing are studied with specific focus on two of her proses: the story 'Agda' and the book The obscene Lady D. The search of body language in both works is taken as an initial motto to this study, in order to move through the literature of the author, her life, the main features of her characters and the theatrical approach of the literary text, with the purpose of empowering it over intermedia connections.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectescrita performática
dc.subjectA obscena Senhora D
dc.subjectHilda Hilst
dc.subjectlinguagem do corpo
dc.subjectintermidialidade
dc.subject"Agda"
dc.subjecttranscriação
dc.titleA linguagem do corpo na obra de Hilda Hilst: "Agda" e A obscena Senhora D
dc.typeDissertação de Mestrado


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