Entre a vida e a encenação: o novo realismo no cinema iraniano

dc.contributorCesar Geraldo Guimaraes
dc.contributorMario Alves Coutinho
dc.creatorSilvia Cristina de Paiva Pereira
dc.date.accessioned2019-08-13T18:30:48Z
dc.date.accessioned2022-10-03T23:58:57Z
dc.date.available2019-08-13T18:30:48Z
dc.date.available2022-10-03T23:58:57Z
dc.date.created2019-08-13T18:30:48Z
dc.date.issued2009-06-23
dc.identifierhttp://hdl.handle.net/1843/FAFI-82TGZ8
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3830661
dc.description.abstractThis research investigates the emergence of a new realism in two works of contemporary Iranian cinema: Close-up (Abbas Kiarostami, 1990) and A moment of Innocence (Mohsen Makhmalbaf, 1996). Initially, we study the realism in cinema, emphasizing the Italian neo-realism and then we compare it with the Iranian´s experiences. Finally, we analyze the two movies, trying to demonstrate how they inaugurate a new form of realism, when they reappropriate, in a special way, an event that happened in real world.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectRealismo
dc.subjectNeo-realismo italiano
dc.subjectAtor-personagem
dc.subjectCinema iraniano
dc.titleEntre a vida e a encenação: o novo realismo no cinema iraniano
dc.typeDissertação de Mestrado


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