Repercussões de Brecht, o pós-dramático e as novas tecnologias em Máquina de Pinball.

dc.contributorAntonio Barreto Hildebrando
dc.contributorSara Del Carmen Rojo de La Rosa
dc.contributorMarcos Antonio Alexandre
dc.creatorGil de Medeiros Esper
dc.date.accessioned2019-08-12T09:24:00Z
dc.date.accessioned2022-10-03T23:43:57Z
dc.date.available2019-08-12T09:24:00Z
dc.date.available2022-10-03T23:43:57Z
dc.date.created2019-08-12T09:24:00Z
dc.date.issued2009-12-04
dc.identifierhttp://hdl.handle.net/1843/JSSS-84RGHH
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3827208
dc.description.abstractThis paper alms to investigate the repercussion of epic-dialectical theater, mainly in the matter of distance effect achieved through irony, allied to issues raised by the post-dramatic theater. To know: the performatic, the new technologies and the new ways of spectacular reception in a specific work, which is the play Máquina de Pinball (Pinball Machine), presented at 2008 in Belo Horizonte, Brazil.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectMáquina de Pinball
dc.subjectpós-dramático
dc.subjectrepercussões
dc.titleRepercussões de Brecht, o pós-dramático e as novas tecnologias em Máquina de Pinball.
dc.typeDissertação de Mestrado


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