Corporalidade e musicalidade na poética do estrangeiro do Farm in the cave: inspirações brasileiras no espetáculo The theatre

dc.contributorMaurilio Andrade Rocha
dc.contributorFernando Antonio Mencarelli
dc.contributorMariana de Lima e Muniz
dc.creatorJuliana Macedo Carneiro
dc.date.accessioned2019-08-11T11:17:03Z
dc.date.accessioned2022-10-03T23:41:44Z
dc.date.available2019-08-11T11:17:03Z
dc.date.available2022-10-03T23:41:44Z
dc.date.created2019-08-11T11:17:03Z
dc.date.issued2013-09-10
dc.identifierhttp://hdl.handle.net/1843/JSSS-9EHE6J
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3826644
dc.description.abstractThis dissertation aims at showing how the body-voice understood as the expressive totality of the actor and musicality are essential to the reception of codes that arise from foreign culture in the physical theater proposed by czech group Farm in the Cave. Through this work I analyze the recurring creative procedures in the spectacles (between 2002 and 2010) that were created from the contact with different cultural contexts. I analyze further the creative process of the play The Theatre, featuring the elements used in stage composition inspired by movement and musical patterns from brazilian rituals and cultural manifestations, seeking to identify which images they choose to highlight in staging and the cultural links that are established in the light of intercultural theories on theater.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectMusicalidade
dc.subjectCorporalidade
dc.subjectInterculturalidade
dc.subjectEncenação
dc.subjectTeatro físico
dc.titleCorporalidade e musicalidade na poética do estrangeiro do Farm in the cave: inspirações brasileiras no espetáculo The theatre
dc.typeDissertação de Mestrado


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