The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom

dc.contributorThais Flores Nogueira Diniz
dc.contributorMagda Veloso Fernandes de Tolentino
dc.contributorThomas La Borie Burns
dc.creatorCibele Braga Silva
dc.date.accessioned2019-08-12T16:21:35Z
dc.date.accessioned2022-10-03T23:40:49Z
dc.date.available2019-08-12T16:21:35Z
dc.date.available2022-10-03T23:40:49Z
dc.date.created2019-08-12T16:21:35Z
dc.date.issued2008-09-02
dc.identifierhttp://hdl.handle.net/1843/ECAP-7J6H3T
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3826434
dc.description.abstract'Bloom', Sean Walsh's filmic adaptation of James Joyce's 'Ulysses', brings to screen Leopold Bloom's, Stephen Dedalus', and Molly Bloom's representation of thought. Relying on Robert Humphrey's theory of stream of consciousness in literature and Haim Callev's theory of stream of consciousness on screen, the present research aims at analyzing the tools used by the filmmaker to make feasible such representations. Moreover, Gérard Gennete's contemporaneous theory of transtextuality is used to identify and bring to light the differences and intersections between the mentioned novel and film
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectJames Joyce
dc.subjectSean Walsh
dc.subjectTheory of Transtextuality
dc.subjectRobert Humphrey
dc.subjectRepresentation of Thought
dc.subjectStream of Consciousness
dc.subjectHaim Callev
dc.titleThe representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom
dc.typeDissertação de Mestrado


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