dc.contributorSergio Freire Garcia
dc.contributorHani Camille Yehia
dc.contributorJalver Machado Bethonico
dc.contributorMauro Rodrigues
dc.creatorFernando Braga Campos
dc.date.accessioned2019-08-12T20:14:54Z
dc.date.accessioned2022-10-03T23:38:03Z
dc.date.available2019-08-12T20:14:54Z
dc.date.available2022-10-03T23:38:03Z
dc.date.created2019-08-12T20:14:54Z
dc.date.issued2013-12-09
dc.identifierhttp://hdl.handle.net/1843/AAGS-AXGMR4
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3825719
dc.description.abstractThis is a practical theoretical work about the necessary knowledge that an audio professional should have to capture and manipulate sounds that reach the low end of the spectrum, more specifically, those that concentrate most of its energy on the three first octaves of the audible range (20Hz to 160Hz). Focused on the professional praxis of music production, information from a myriad of fields as acoustics, electrics and cognitive psychology were gathered and related to the subject. Surveys and interviews were realized with audio professional as to give to their empirical knowledge a main role on the structural basis of the text. As results we have got a profile of Belo Horizonte's audio professionals, their perspectives and a collection of what they state as being important experiences to their audio education.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectFormação profissional
dc.subjectProdução musical
dc.subjectÁudio e música
dc.subjectSons graves
dc.subjectGravação
dc.subjectMixagem
dc.titleA região grave do espectro sonoro: aspectos teóricos e práticos na produção musical
dc.typeDissertação de Mestrado


Este ítem pertenece a la siguiente institución