Ser-espelho: modos de atração e desvio

Abstract

The present research considers to create an interlocution between the subject of the mirrors and their philosophical aspects, their relations with history of the art, the image and the look, as well as establishing possible reverberation in the personal plastic trajectory. It is about raising the apparent existing paradox between the concept of attraction and detour deeply implied in the relation between the images and occidental thought entailed to the speculation mechanisms. It takes the interest for the metaphorical and physical aspects of the mirrors in their varied instances whether literal, conceptual or imagetic in the measure where they arebroken, cracked making it possible to disclose or overshadow distinct perspectives. The personal poetical construction that is in process in unfolded both the study of the geometry of the cube in its sychoanalytical, phenomenological and historical aspects and its relations with photograph supplied by the slight knowledge of translation, transit, deposit, incrustation and precipitation in photograph in close affinity with a singular modality of the thought for images.