dc.contributor | Sonia Maria de Melo Queiroz | |
dc.contributor | Marcos Antonio Alexandre | |
dc.contributor | Josiley Francisco de Souza | |
dc.creator | Ridalvo Felix de Araújo | |
dc.date.accessioned | 2019-08-11T02:56:58Z | |
dc.date.accessioned | 2022-10-03T23:19:00Z | |
dc.date.available | 2019-08-11T02:56:58Z | |
dc.date.available | 2022-10-03T23:19:00Z | |
dc.date.created | 2019-08-11T02:56:58Z | |
dc.date.issued | 2013-02-04 | |
dc.identifier | http://hdl.handle.net/1843/ECAP-956KV3 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3820525 | |
dc.publisher | Universidade Federal de Minas Gerais | |
dc.publisher | UFMG | |
dc.rights | Acesso Aberto | |
dc.subject | coco-dançado | |
dc.subject | performance | |
dc.subject | culturas afrobrasileiras | |
dc.subject | candombe | |
dc.subject | Poéticas orais | |
dc.title | Na batida do corpo, na pisada do cantá: inscrições poéticas no coco cearense e candombe mineiro | |
dc.type | Dissertação de Mestrado | |