dc.contributorMarcos Cesar de Senna Hill
dc.creatorMarcos Antonio Bonfim
dc.date.accessioned2019-08-11T10:01:25Z
dc.date.accessioned2022-10-03T22:59:41Z
dc.date.available2019-08-11T10:01:25Z
dc.date.available2022-10-03T22:59:41Z
dc.date.created2019-08-11T10:01:25Z
dc.date.issued2006-01-15
dc.identifierhttp://hdl.handle.net/1843/BUBD-A9SLYE
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3814764
dc.description.abstractThis article has as objective to proceed to an analysi s ofimages of urban grafismos, more specifically the graffitis and, ofthis form, to categorize them and to organize information itsrespect, contextualizando them as research object, discoursingunder the profusion of these signs found in the great cities, inparticular, Belo Horizonte, as well as of the specifications of theurban life and the partner-cultural influences that had marked theexpansion of this type of language considered peripheral to thelong one of history.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectGrafite
dc.subjectBelo Horizonte História
dc.subjectEspaço visual
dc.titleA intervenção urbana do Graffiti e sua construção no espaço visual das cidades brasileiras - em particular, Belo Horizonte a partir da década de 60
dc.typeMonografias de Especialização


Este ítem pertenece a la siguiente institución