Brasil | Artigo de Periódico

Fetichismo e regressão musicais em Theodor Adorno

dc.creatorVerlaine Freitas
dc.date.accessioned2022-02-21T15:34:16Z
dc.date.accessioned2022-10-03T22:58:17Z
dc.date.available2022-02-21T15:34:16Z
dc.date.available2022-10-03T22:58:17Z
dc.date.created2022-02-21T15:34:16Z
dc.date.issued2017
dc.identifierhttps://doi.org/10.26694/pensando.v8i16.6447
dc.identifier2178-843X
dc.identifierhttp://hdl.handle.net/1843/39516
dc.identifierhttps://orcid.org/ 0000-0003-0333-9416
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3814311
dc.description.abstractThe objective of the paper is to make an analysis of Theodor W. Adorno's text "On the fetishistic character in music and the regression of hearing", showing how the notion of fetish allows the author to delineate the self-denial of music, both by the absorption of value of use by the value of exchange, and by the infantilization of the public, when the pseudo-activity demonstrates a vertiginous coupling between individual and society.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherFAF - DEPARTAMENTO DE FILOSOFIA
dc.publisherUFMG
dc.relationPensando - Revista de Filosofia
dc.rightsAcesso Aberto
dc.subjectTheodor Adorno
dc.subjectFetichismo musical
dc.subjectRegressão da audição
dc.subjectCultura de massa
dc.titleFetichismo e regressão musicais em Theodor Adorno
dc.typeArtigo de Periódico


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