dc.creatorVerlaine Freitas
dc.date.accessioned2022-02-03T18:38:26Z
dc.date.accessioned2022-10-03T22:53:53Z
dc.date.available2022-02-03T18:38:26Z
dc.date.available2022-10-03T22:53:53Z
dc.date.created2022-02-03T18:38:26Z
dc.date.issued2020
dc.identifierhttps://doi.org/10.15448/1984-6746.2020.2.37974
dc.identifier1984-6746
dc.identifierhttp://hdl.handle.net/1843/39276
dc.identifierhttps://orcid.org/ 0000-0003-0333-9416
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3812863
dc.description.abstractThe objective of the text is to analyze Theodor Adorno’s mentions of Dostoevsky’s work, emphasizing the relationship between the philosopher’s conception of “damaged life” and the Russian author’s literary work. It is at stake to demonstrate how much the “negative epic” seen by Adorno in Dostoevsky is embodied in the delineation of an underground subjectivity from the idea of a fragmented subjective excess, which leads to the idea of bad conscience and, finally, to psychic bankruptcy. Such elements will be investigated in the interpretation of the novel “The double. Petersburg poem “, by Dostoevsky.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherFAF - DEPARTAMENTO DE FILOSOFIA
dc.publisherUFMG
dc.relationVeritas (Porto Alegre)
dc.rightsAcesso Aberto
dc.subjectTheodor Adorno
dc.subjectFiódor Dostoiévski
dc.subjectO duplo
dc.titleDostoiévski por Adorno: a metafísica literária da vida danificada no romance O duplo
dc.typeArtigo de Periódico


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