Tese de Doutorado
A relação sujeito-objeto na Estética de Georg Lukács: reformulação e desfecho de um projeto interrompido
Fecha
2010-03-25Autor
Rainer Camara Patriota
Institución
Resumen
The aim of this paper is to identify and show the categorical center of the Hungarian philosopher Georg Lukács´ late Aesthetic. For such purpose, will be recover his early work, especially, his unfinished manuscript of aesthetics written in Heidelberg at the period of 1912-1918. The Marxist Aesthetics is seen and inquired at as a reformulation andconclusion of the interrupted Heidelberg project. In fact, both aesthetics try to determine the autonomy of art as a kind of a subject-object identity. But if in the former Lukács searches to transplant this Hegelian principle to the context of the neo-Kantian philosophy (strongly influenced by Lask), in the latter the transplantation is accomplished on materialistic ground (Marx) against the transcendental dualism of the past. As a result,genetics and interactive relations are produced between the realm of daily life and the normative realm of art.