dc.creator | Rachel Cecília de Oliveira Costa | |
dc.date.accessioned | 2021-08-18T00:07:08Z | |
dc.date.accessioned | 2022-10-03T22:47:38Z | |
dc.date.available | 2021-08-18T00:07:08Z | |
dc.date.available | 2022-10-03T22:47:38Z | |
dc.date.created | 2021-08-18T00:07:08Z | |
dc.date.issued | 2017 | |
dc.identifier | 24479772 | |
dc.identifier | http://hdl.handle.net/1843/37566 | |
dc.identifier | https://orcid.org/0000-0001-6497-6465 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3810711 | |
dc.publisher | Universidade Federal de Minas Gerais | |
dc.publisher | Brasil | |
dc.publisher | EBA - DEPARTAMENTO DE ARTES PLÁSTICAS | |
dc.publisher | UFMG | |
dc.relation | Rapsódia | |
dc.rights | Acesso Aberto | |
dc.subject | Crítica de arte | |
dc.subject | Metafísica | |
dc.subject | Relação | |
dc.title | A equivocidade da crítica | |
dc.type | Artigo de Periódico | |