Canção e Dansa para contrabaixo e piano de Radamés Gnattali: aspectos históricos, estudo analítico e edição

dc.contributorFausto Borem de Oliveira
dc.contributorSonia Marta Rodrigues Raymundo
dc.contributorMauricio Alves Loureiro
dc.creatorRicardo Pereira Rodrigues
dc.date.accessioned2019-08-10T21:42:40Z
dc.date.accessioned2022-10-03T22:45:00Z
dc.date.available2019-08-10T21:42:40Z
dc.date.available2022-10-03T22:45:00Z
dc.date.created2019-08-10T21:42:40Z
dc.date.issued2003-12-16
dc.identifierhttp://hdl.handle.net/1843/AAGS-7ZPH5G
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3809768
dc.description.abstractAbstract: Analysis and edition of Canção e Dansa by RadamésGnattali, an important landmark of the Brazilian repertory for the doublebass, through the study of the autographed manuscripts of 1934 and 1982 and also the score published by the now extinct Brazilian cultural agency FUNARTE. It icludes historical aspects of the composer and his relationship with doublebassists, the work in question and the double bass literature in general. In spite of the formal simplicity of the works, Canção e Dansa presents some sophisticated procedures, derived from Brazilan popular music and jazz, which can be observed in harmony, motives and rhythm. The analysis helped the suggestion of bowings and fingerings included in the edition. It also includes a non commercial recording with the work and interviews with Brazilian double bassists Sandrino Santoro e Renato Sbragia.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectRadamés Gnattali
dc.subjectedição
dc.subjectcontrabaixo
dc.subjectmúsica
dc.subjectbrasileira
dc.subjectanálise musical
dc.titleCanção e Dansa para contrabaixo e piano de Radamés Gnattali: aspectos históricos, estudo analítico e edição
dc.typeDissertação de Mestrado


Este ítem pertenece a la siguiente institución