dc.contributorMarli de Oliveira Fantini Scarpelli
dc.contributorhttp://lattes.cnpq.br/1443989482484875
dc.contributorJacyntho José Lins Brandão
dc.contributorRoberto Alexandre do Carmo Said
dc.contributorNabil Araujo de Souza
dc.contributorJulio Cesar Machado de Paula
dc.creatorGabriel Carrara Vieira
dc.date.accessioned2019-10-25T13:16:34Z
dc.date.accessioned2022-10-03T22:31:08Z
dc.date.available2019-10-25T13:16:34Z
dc.date.available2022-10-03T22:31:08Z
dc.date.created2019-10-25T13:16:34Z
dc.date.issued2019-07-05
dc.identifierhttp://hdl.handle.net/1843/30702
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3804261
dc.description.abstractThe object of study of this thesis is the formulation of writing repertories in literary texts that establish the regimes of visibility by which we become aware of the Contemporary. To that end, the works of Bernardo Carvalho, Chico Buarque, Daniel Galera, Elvira Vigna, Luiz Ruffato, Michel Laub, Ricardo Lísias and Verônica Stigger and were analyzed in order to compose a mosaic of references. These texts provided the necessary subsidies for understanding contemporary brazilian literature in its heterogeneity, allowing to focus not on the works themselves, but on their repertoires, of which we highlight two main ones: fragment and debt. The understanding of this theoretical operator originated mainly from the readings of Giorgio Agamben, Walter Benjamin and Jacques Rancière as theoretical bases, proposing it as a matrix of absences that aims to produce the visibility of the worlds by literature.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherFALE - FACULDADE DE LETRAS
dc.publisherPrograma de Pós-Graduação em Estudos Literários
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectLiteratura brasileira
dc.subjectContemporaneidade
dc.subjectHeterogeneidade
dc.subjectFragmentação
dc.subjectDívida
dc.titleDa ausência à visibilidade: repertórios de literatura brasileira contemporânea
dc.typeTese


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