Intonation in the performance of the double bass: the role of vision and tact in undershoot and overshoot patterns

dc.creatorFausto Borém
dc.creatorGuilherme Menezes Lage
dc.date.accessioned2022-08-09T16:31:53Z
dc.date.accessioned2022-10-03T22:28:29Z
dc.date.available2022-08-09T16:31:53Z
dc.date.available2022-10-03T22:28:29Z
dc.date.created2022-08-09T16:31:53Z
dc.date.issued2019-05
dc.identifier1552-9657
dc.identifierhttp://hdl.handle.net/1843/44092
dc.identifierhttps://orcid.org/0000-0002-4769-106X
dc.identifierhttps://orcid.org/0000-0001-8296-3676
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3803122
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherEEF - DEPARTAMENTO DE EDUCAÇÃO FÍSICA
dc.publisherMUS - DEPARTAMENTO DE INSTRUMENTO E CANTO
dc.publisherUFMG
dc.relationOnline Journal of Bass Research
dc.rightsAcesso Restrito
dc.subjectAccuracy in double bass performance
dc.subjectUndershoot and overshoot double bass patterns
dc.subjectControl of non-tempered intonation
dc.subjectLeft hand movements in music performance
dc.titleIntonation in the performance of the double bass: the role of vision and tact in undershoot and overshoot patterns
dc.typeArtigo de Periódico


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