dc.creatorChristianne Luce Gomes
dc.creatorCristiane Miryam Drumond de Brito
dc.date.accessioned2022-03-23T22:52:16Z
dc.date.accessioned2022-10-03T22:26:33Z
dc.date.available2022-03-23T22:52:16Z
dc.date.available2022-10-03T22:26:33Z
dc.date.created2022-03-23T22:52:16Z
dc.date.issued2019-07
dc.identifierhttps://doi.org/10.4322/2526-8910.ctoAO1730
dc.identifier2526-8910
dc.identifierhttp://hdl.handle.net/1843/40403
dc.identifierhttps://orcid.org/ 0000-0002-0075-289X
dc.identifierhttps://orcid.org/ 0000-0002-2802-2119
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3802399
dc.description.abstractIntroduction: This article integrates a more comprehensive research on the representations of women in contemporary Latin American films, shown in the cinema, in order to identify possibilities of female empowerment. The film analyzed in this article is Nise - the heart of madness, which focuses on the work begun in the 1940s by Nise da Silveira in a psychiatric hospital in Rio de Janeiro. Objective: The purpose of this text is to analyze how the protagonist of this film is represented. In this process, were considered the sociocultural contexts, the identity markers and the conflicts that constitute the character Nise; the links it establishes with the men in the film, and the possibilities for women's empowerment. Method: The methodology had a qualitative approach and involved three strategies: bibliographic research, film analysis and interviews, which contributed to understand how the public assimilates the female characters. Results: The results showed that Nise was portrayed in the film as an empowered woman and professional who did not accept violent mental treatments. She has developed groundbreaking work with her small team, transforming an abandoned therapeutic space into an art studio for internees. Conclusion: Nise inaugurates an occupational therapy that contrasts with the pragmatic and inhuman psychiatry of the time when using the language of art to discover the human being with his expressive narratives and articulated in networks. She resisted every form of oppression imposed by her colleagues and fought for the human and libertarian right of both women and those considered insane.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherEEF - DEPARTAMENTO DE EDUCAÇÃO FÍSICA
dc.publisherUFMG
dc.relationCadernos Brasileiros de Terapia Ocupacional
dc.rightsAcesso Aberto
dc.subjectFilmes cinematográficos
dc.subjectTerapia pela arte
dc.subjectTerapia ocupacional
dc.title"Nise, o coração da loucura": representações femininas em um filme sobre a terapêutica ocupacional
dc.typeArtigo de Periódico


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