dc.creatorVerlaine Freitas
dc.date.accessioned2022-02-08T13:52:32Z
dc.date.accessioned2022-10-03T22:24:26Z
dc.date.available2022-02-08T13:52:32Z
dc.date.available2022-10-03T22:24:26Z
dc.date.created2022-02-08T13:52:32Z
dc.date.issued2018
dc.identifierhttps://doi.org/10.36311/2318-0501.2018.v6n2.13.p63
dc.identifier2318-0501
dc.identifierhttp://hdl.handle.net/1843/39301
dc.identifierhttps://orcid.org/ 0000-0003-0333-9416
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3801556
dc.description.abstractPresentation of the defining elements of the concepts of purpose and purposiveness without purpose. It begins by presenting the general notion of purpose as the link between an object and the concept as its origin, and then to the principle of purposiveness, taken as the basis of the action of the faculty of judging. The core of the text is constituted by the application of such concepts to the judgment of taste. Finally, we consider the differences between free and adherent beauty, a relevant topic in the analysis of artistic beauty.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherFAF - DEPARTAMENTO DE FILOSOFIA
dc.publisherUFMG
dc.relationEstudos Kantianos
dc.rightsAcesso Aberto
dc.subjectConformidade a fins
dc.subjectImmanuel Kant
dc.subjectCrítica da Faculdade do Juízo
dc.subjectConformidade a fins sem fim
dc.subjectBeleza livre
dc.subjectBeleza aderente
dc.titleConformidade a fins
dc.typeArtigo de Periódico


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